In effect, what the E-M5 II did was to capture eight images in quick succession using an electronic shutter to avoid resolution-robbing vibrations. All of this was achieved thanks to a technique known as oversampling. Dubbed High Res Shot Mode, this was the cause of much excitement because it allowed a pretty impressive step forward in resolution, a significant reduction in noise levels, and an impressive resistance to moiré artifacts. In early 2015, Olympus debuted a brand-new feature in its enthusiast-grade E-M5 Mark II. You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.Astounding resolution from High Res Shot Mode What does that mean? You can learn about Nimbleosity and more by visiting. The 14-42mm has a high Nimbleosity Rating. But when it's time for the best edge-to-edge sharpness, switch to a prime. It will help you capture images that you may have otherwise missed with a more traditional optic. The Olympus 14-42mm EZ zoom is a marvel of engineering: compact, quiet, with lots of features. And the color fringing, which can be removed in post, still appears on hard edges in bright areas. Even at f/5.6 on the 14-42mm, the edges are not as sharp as the center. The quiet power zoom is easy to use and helpful for video recording.īut when it's time for more serious landscape work or architecture, I recommend switching to one of the excellent primes by Olympus or Panasonic. It reacts quickly when I power up the camera, so it's well-suited for grabbing a quick shot. The Olympus 14-42mm f3.5-5.6 EZ zoom is the standard lens that I keep mounted on the Olympus OM-D E-M10. But it was easier for me to draw my final conclusions by studying the 13" x 19" print. ![]() I did detect the sharpness falloff on the edges when viewing the image on my MacBook Pro Retina Display. I had to magnify to see the flaws, notably the color fringing on the white fence. The image looked good through all phases of production on the computer. ![]() To me, it feels like the "real world" test. I like to make prints when evaluating lenses. I then made a 13" x 19" print on Red River Paper UltraPro Gloss 2.0 with the Epson R2000. (This version is from the RAW file.)ĭuring RAW processing I removed the slight color fringing on the white fence (had to magnify to even see it) in Olympus Viewer. I processed the RAW file in Olympus Viewer 3 and the Jpeg in Aperture 3.5. I used a mid-range focal length (21mm) on the 14-42mm zoom at f/5.6, 1/640th of a second. (You can download the full size version on Flickr and study the image yourself.) I used the "Low ISO" setting on the Olympus OM-D E-M10 and captured in both RAW and Jpeg Fine. The image below was recorded mid-morning after a storm. My definitive test for this zoom was photographing a landscape under ideal conditions, with favorable camera settings. What you give up is some edge sharpness with a dash of color fringing on contrasty lines. It's the perfect choice for quick-draw candids. The optic focuses quickly and accurately. On the plus side you get a very compact, handsome power zoom that's quiet with auto-on and an accessory auto lens cap. And the clever Olympus 14-42mm f3.5-5.6 EZ zoom ($349) is no exception. ![]() Very few lenses give us everything we want.
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